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RAGE PEN #11 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
73 × 103 x 2.5 cm (Framed)
Edition of 11
Chisenhale Studios
RAGE PEN #10 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
73 × 103 x 2.5 cm (Framed)
Edition of 11
Chisenhale Studios
RAGE PEN #09 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
73 × 103 x 2.5 cm (Framed)
Edition of 11
Chisenhale Studios
RAGE PEN #05 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
Edition of 11
Chisenhale Studios
RAGE PEN #03 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
Edition of 11
Chisenhale Studios
RAGE PEN #02 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
73 × 103 x 2.5 cm (Framed)
Edition of 11
Chisenhale Studios
RAGE PEN #01 2017 - 2018
Photographic documentation of a relational work: Archival Giclée
73 × 103 x 2.5 cm (Framed)
Edition of 11
Chisenhale Studios
Fullscreen
Relational artwork where, following an interview with the artist, anonymous Ventees are given the tools (sledgehammers and baseball bats) to destroy objects, that represent sources of frustration in their lives, in a controlled and anonymous environment
Michael Hampton: Destruction in Art 2.0 delivered at Chisnehale Studios, London, September 2018
Ferreira, I., 2018, Artistic devices and the ethical nature of recycling: Burning as détournement, destruction as materiality in JAWS, Volume 4, Issue 2, Bristol: Intellect Books
Destruction in Art Symposium 2.0, 2017, David Blackmore, Michael Hampton, Sarah Pickering & Amikam Toren, Chisenhale Studios (London, UK)